![Book of Italian Costumes (ca. 1588 (High Renaissance)) by Niclauss Kippell and Léon Gruel]()
Book of Italian Costumes (ca. 1588 (High Renaissance)) by Niclauss Kippell and Léon Gruel![Book of Hours (Manuscript: 4th quarter 15th century; Binding: late 19th century) by French, Influenced by Jean Bourdichon…]()
Book of Hours (Manuscript: 4th quarter 15th century; Binding: late 19th century) by French, Influenced by Jean Bourdichon…![Initial V: The Ascension by Lorenzo Monaco, Zanobi di Benedetto Strozzi and Battista di Biagio Sanguini]()
Initial V: The Ascension by Lorenzo Monaco, Zanobi di Benedetto Strozzi and Battista di Biagio Sanguini![The Ascension by Lorenzo Monaco. Original public domain image from Getty Museum. Digitally enhanced by rawpixel.]()
The Ascension by Lorenzo Monaco. Original public domain image from Getty Museum. Digitally enhanced by rawpixel.![Initial S: The Conversion of Saint Paul by Pisanello and Master of the Antiphonal Q of San Giorgio Maggiore]()
Initial S: The Conversion of Saint Paul by Pisanello and Master of the Antiphonal Q of San Giorgio Maggiore![Initial D: A Skull in a Rocky Field by Taddeo Crivelli. Original public domain image from Getty Museum. Digitally enhanced…]()
Initial D: A Skull in a Rocky Field by Taddeo Crivelli. Original public domain image from Getty Museum. Digitally enhanced…![Initial S: The Beheading of Saint Paul and the Miracle of Plautilla's Veil by Niccolò di Giacomo da Bologna]()
Initial S: The Beheading of Saint Paul and the Miracle of Plautilla's Veil by Niccolò di Giacomo da Bologna![Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a…]()
Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a…![Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a…]()
Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a…![Manuscript Illumination with the Birth of the Virgin in an Initial G, from a Gradual]()
Manuscript Illumination with the Birth of the Virgin in an Initial G, from a Gradual ![Last Judgment in an Initial C by Lorenzo Monaco (Piero di Giovanni)]()
Last Judgment in an Initial C by Lorenzo Monaco (Piero di Giovanni)![Manuscript Leaf with a female saint (possibly Dorothy) in an Initial G, from a Gradual]()
Manuscript Leaf with a female saint (possibly Dorothy) in an Initial G, from a Gradual ![The Calling of Saints Peter and Andrew; Initial D: Saint Andrew; Initial Q: Saint Peter by Master of the Brussels Initials]()
The Calling of Saints Peter and Andrew; Initial D: Saint Andrew; Initial Q: Saint Peter by Master of the Brussels Initials![Manuscript Illumination with Crucifixion in an Initial T, from a Missal, French]()
Manuscript Illumination with Crucifixion in an Initial T, from a Missal, French![Manuscript Leaf with Foliated Initial A, from an Antiphonary, Italian]()
Manuscript Leaf with Foliated Initial A, from an Antiphonary, Italian![Manuscript Illumination with the Martyrdom of Saint Stephen in an Initial E, from a Gradual]()
Manuscript Illumination with the Martyrdom of Saint Stephen in an Initial E, from a Gradual ![Martyrdom of Saint Agatha in an Initial D by Sano di Pietro (Ansano di Pietro di Mencio)]()
Martyrdom of Saint Agatha in an Initial D by Sano di Pietro (Ansano di Pietro di Mencio)![Manuscript Illumination with the Beheading of Saint Paul in an Initial S, from a Gradual]()
Manuscript Illumination with the Beheading of Saint Paul in an Initial S, from a Gradual ![Manuscript Illumination with All Saints in an Initial V, from an Antiphonary]()
Manuscript Illumination with All Saints in an Initial V, from an Antiphonary ![Initial S with Saint Peter Liberated from Prison, Italian]()
Initial S with Saint Peter Liberated from Prison, Italian![Initial A: Saints Maurice and Theofredus by Frate Nebridio]()
Initial A: Saints Maurice and Theofredus by Frate Nebridio![Manuscript Illumination with Tobit, Tobias, and the Archangel Raphael in an Initial O, from an Antiphonary, Italian]()
Manuscript Illumination with Tobit, Tobias, and the Archangel Raphael in an Initial O, from an Antiphonary, Italian![Virgin and Child Enthroned between Saints Cecilia and Catherine of Alexandria]()
Virgin and Child Enthroned between Saints Cecilia and Catherine of Alexandria ![Initial A: The Women at the Tomb by Bartolomeo Rigossi da Gallarate]()
Initial A: The Women at the Tomb by Bartolomeo Rigossi da Gallarate![Initial A: Christ Wiping the Tears from the Eyes of the Saved by Master of the Antiphonary of San Giovanni Fuorcivitas]()
Initial A: Christ Wiping the Tears from the Eyes of the Saved by Master of the Antiphonary of San Giovanni Fuorcivitas![Manuscript Leaf Cutting Showing an Illumiated Initial R with St. Protasius and St. Gervasius by Olivetan Master]()
Manuscript Leaf Cutting Showing an Illumiated Initial R with St. Protasius and St. Gervasius by Olivetan Master![Manuscript Illumination with the Virgin and Child in an Initial S, from an Antiphonary]()
Manuscript Illumination with the Virgin and Child in an Initial S, from an Antiphonary ![The Translation of the Bodies of Aimo and Vermondo; The People of Milan Praying at the Altar Where Aimo and Vermondo are…]()
The Translation of the Bodies of Aimo and Vermondo; The People of Milan Praying at the Altar Where Aimo and Vermondo are…![Leaf from a Book of Hours: Annunciation, Nativity and Two Prophets (ca. 1485) Original from The Cleveland Museum of Art.…]()
Leaf from a Book of Hours: Annunciation, Nativity and Two Prophets (ca. 1485) Original from The Cleveland Museum of Art.…![music sheet with inset standing figure with the world against red ground at UL with L and bottom borders painted…]()
music sheet with inset standing figure with the world against red ground at UL with L and bottom borders painted…![Initial L: The Baptism of Saint Augustine by Master of the Osservanza]()
Initial L: The Baptism of Saint Augustine by Master of the Osservanza![Manuscript Illumination with Singing Monks in an Initial D, from a Psalter by Girolamo dai Libri]()
Manuscript Illumination with Singing Monks in an Initial D, from a Psalter by Girolamo dai Libri![Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary, attributed to Cosmè Tura…]()
Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary, attributed to Cosmè Tura…![The Return from the Hunt by Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)]()
The Return from the Hunt by Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)![Manuscript Illumination with Joseph Sold by His Brothers in an Initial V, from an Antiphonary]()
Manuscript Illumination with Joseph Sold by His Brothers in an Initial V, from an Antiphonary![Manuscript Leaf with the Martyrdom of Saint Peter Martyr in an Initial P, from a Gradual, South Italian (ca. 1270–80)]()
Manuscript Leaf with the Martyrdom of Saint Peter Martyr in an Initial P, from a Gradual, South Italian (ca. 1270–80)![Manuscript Illumination with the Holy Women at the Tomb in an Initial A, from an Antiphonary by Girolamo dai Libri]()
Manuscript Illumination with the Holy Women at the Tomb in an Initial A, from an Antiphonary by Girolamo dai Libri![Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael, Italian]()
Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael, Italian![Initial N: The Resurrected Christ Appearing to the Marys by Bartolomeo Rigossi da Gallarate]()
Initial N: The Resurrected Christ Appearing to the Marys by Bartolomeo Rigossi da Gallarate![Manuscript Leaf with a Funeral Procession in an Initial R, from a Gradual by Mariano del Buono]()
Manuscript Leaf with a Funeral Procession in an Initial R, from a Gradual by Mariano del Buono![Manuscript Illumination with Saint Lawrence in an Initial C, from a Gradual by Don Simone Camaldolese]()
Manuscript Illumination with Saint Lawrence in an Initial C, from a Gradual by Don Simone Camaldolese